![]() Opaloch went on to say about the ARRI Alexa 65, I’m starting up prep on the new Infinity Wars films that we’re shooting back to back with the Russo’s later this year, and the scale of those two films combined is a bit mind blowing, so it’s good that these last two films have ramped up in terms of scale and complexity, because each one prepares you for the next. to maintain some cohesiveness to the scene. ![]() The tough thing is that you can end up shooting someone’s close up in another country, weeks after you’ve shot the other side of the conversation, so it’s always a challenge dealing with changing weather conditions, etc. There were a ton of actors on this film and that was actually quite challenging - to shoot them all with their crazy schedules. We were also very fortunate to work with a great German crew in Berlin that made our transition over there very smooth. In a piece on Talking with Mark Toffolo, DP Trent Opaloch speaks about the large international scale of the film, Panavision C-, E-, G-, T-Series, ATZ and AWZ2.ARRI Alexa 65 IMAX (airport and additional scenes).
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